2 Chronicles 29:27 kjv
And Hezekiah commanded to offer the burnt offering upon the altar. And when the burnt offering began, the song of the LORD began also with the trumpets, and with the instruments ordained by David king of Israel.
2 Chronicles 29:27 nkjv
Then Hezekiah commanded them to offer the burnt offering on the altar. And when the burnt offering began, the song of the LORD also began, with the trumpets and with the instruments of David king of Israel.
2 Chronicles 29:27 niv
Hezekiah gave the order to sacrifice the burnt offering on the altar. As the offering began, singing to the LORD began also, accompanied by trumpets and the instruments of David king of Israel.
2 Chronicles 29:27 esv
Then Hezekiah commanded that the burnt offering be offered on the altar. And when the burnt offering began, the song to the LORD began also, and the trumpets, accompanied by the instruments of David king of Israel.
2 Chronicles 29:27 nlt
Then Hezekiah ordered that the burnt offering be placed on the altar. As the burnt offering was presented, songs of praise to the LORD were begun, accompanied by the trumpets and other instruments of David, the former king of Israel.
2 Chronicles 29 27 Cross References
| Verse | Text | Reference |
|---|---|---|
| Exod 29:18 | ...burnt offering... a sweet savour... an offering made by fire unto the LORD. | Purpose of burnt offering |
| Lev 1:4 | ...lay his hand upon the head of the burnt offering; and it shall be accepted... to make atonement for him. | Atonement through offering |
| Lev 4:20 | ...he shall do with the bullock as he did with the bullock for a sin offering; so shall he do with this... for atonement... it shall be forgiven them. | Sin atonement through sacrifice |
| Num 10:2, 10 | Make thee two trumpets of silver... that ye may use them... in the day of your gladness, and in your solemn days... | Trumpets for assembly and worship |
| 1 Sam 10:5 | ...thou shalt meet a company of prophets coming down... with a psaltery, and a tabret, and a pipe, and a harp, before them... | Prophetic music and instruments |
| 2 Sam 6:5 | And David and all the house of Israel played before the LORD on all manner of instruments... | David's devotion with music |
| 1 Chr 6:31-32 | And these are they whom David set over the service of song in the house of the LORD... before the tabernacle of the congregation... | David organizing temple musicians |
| 1 Chr 15:16 | And David spake to the chief of the Levites to appoint their brethren to be singers... with instruments of music, psalteries and harps and cymbals... | Levites designated as musicians |
| 1 Chr 23:5 | Four thousand were gatekeepers; and four thousand praised the LORD with the instruments which I made... to praise therewith. | Instruments dedicated for praise |
| 1 Chr 25:1, 6 | Moreover David and the captains of the host separated to the service of the sons of Asaph, and of Heman, and of Jeduthun... to prophesy with harps, with psalteries, and with cymbals. | Organized worship through specific Levite families |
| 2 Chr 5:12-13 | ...the Levites which were the singers... being arrayed in white linen, having cymbals and psalteries and harps... were with them an hundred and twenty priests sounding with trumpets: It came even to pass, as the trumpeters and singers were as one... the glory of the LORD had filled the house of God. | Music and trumpets ushering God's glory |
| Psa 33:2-3 | Praise the LORD with harp: sing unto him with the psaltery and an instrument of ten strings. Sing unto him a new song... play skillfully with a loud noise. | Instructions for musical praise |
| Psa 81:1-3 | Sing aloud unto God our strength: make a joyful noise unto the God of Jacob. Take a psalm, and bring hither the timbrel, the pleasant harp with the psaltery. Blow up the trumpet... | Using various instruments in praise |
| Psa 150:3-5 | Praise him with the sound of the trumpet: praise him with the psaltery and harp. Praise him with the timbrel and dance: praise him with stringed instruments and organs. Praise him upon the loud cymbals: praise him upon the high sounding cymbals. | Comprehensive use of instruments for praise |
| Isa 1:11 | To what purpose is the multitude of your sacrifices unto me? saith the LORD: I am full of the burnt offerings of rams... | God's preference for true heart over mere ritual |
| Amos 5:21, 23 | I hate, I despise your feast days, and I will not smell in your solemn assemblies... Take thou away from me the noise of thy songs; for I will not hear the melody of thy viols. | Rejecting hypocritical worship |
| Heb 9:12-14 | Neither by the blood of goats and calves, but by his own blood he entered in once into the holy place, having obtained eternal redemption for us. How much more shall the blood of Christ... purge your conscience from dead works to serve the living God? | Christ's sacrifice, the ultimate atonement |
| Heb 13:15 | By him therefore let us offer the sacrifice of praise to God continually, that is, the fruit of our lips giving thanks to his name. | Christian 'sacrifice' of praise |
| Eph 5:19 | Speaking to yourselves in psalms and hymns and spiritual songs, singing and making melody in your heart to the Lord; | NT emphasis on spiritual worship and song |
| Col 3:16 | Let the word of Christ dwell in you richly... teaching and admonishing one another in psalms and hymns and spiritual songs, singing with grace in your hearts to the Lord. | Word and music in collective worship |
| Rev 5:8-9 | And when he had taken the book, the four beasts and four and twenty elders fell down before the Lamb, having every one of them harps... and they sang a new song... | Heavenly worship with harps and new song |
2 Chronicles 29 verses
2 Chronicles 29 27 Meaning
Second Chronicles 29:27 describes a pivotal moment in King Hezekiah's reform: the synchronized re-establishment of proper worship in the purified Temple. As the atoning burnt offering began to be presented on the altar, the sacred music, consisting of the divinely inspired song, the blast of trumpets, and instruments organized by King David, commenced simultaneously, marking a unified act of repentance, dedication, and praise before the LORD.
2 Chronicles 29 27 Context
2 Chronicles Chapter 29 initiates the reign of King Hezekiah, who ascends to the throne after his father, King Ahaz, a ruler characterized by severe idolatry and desecration of the Temple (2 Chr 28). Hezekiah immediately begins a thorough spiritual reformation and purification of Judah, starting with the Temple itself. The first month of his reign is dedicated to opening and cleansing the defiled House of the LORD. Verses 20-24 describe the formal cleansing, sanctification of priests and Levites, and the required sin and burnt offerings made by the congregation to atone for past national unfaithfulness. Verse 27, therefore, marks the re-inauguration of proper, God-ordained Temple worship, specifically the commencement of the daily burnt offering accompanied by ordered musical praise, symbolizing a restored covenant relationship with the LORD after a period of national apostasy.
2 Chronicles 29 27 Word Analysis
- And Hezekiah: The phrase emphasizes the direct initiative and leadership of King Hezekiah in this significant religious reform. Hezekiah's name means "The LORD strengthens" or "The LORD is my strength," reflecting the divine empowerment behind his efforts to restore true worship.
- commanded: This word (Hebrew: vayetzaw, וַיְצַו֙) signifies the king's direct royal authority and active involvement in leading the spiritual revival, not just passively allowing it. It underscores his commitment to restoring the Mosaic ordinances.
- to offer: The verb (Hebrew: l'ha'alot, לְהַעֲלוֹת֙) means "to cause to go up" or "to present," referring to the act of placing the sacrifice on the altar to be consumed by fire and its smoke rising heavenward.
- the burnt offering: (Hebrew: ha'olah, הָעוֹלָה֙) A specific type of sacrifice in the Old Testament, entirely consumed on the altar (except for the skin in some cases), symbolizing total dedication to God and making atonement for general sin. It was the fundamental daily sacrifice.
- upon the altar: The bronze altar in the courtyard of the Temple, specifically consecrated for sacrifices (Exod 27:1-8). This points to adherence to Mosaic law concerning the proper place for offerings.
- And when the burnt offering began: This phrase highlights the precise timing (Hebrew: b'hetchillat ha'olah, בְּהֵחֵל֩ הָעֹלָה֙). It was a moment of initiation, signifying the renewal of covenant life. The synchronized action of sacrifice and music is crucial.
- the song of the LORD: (Hebrew: shirat YHWH, שִׁיר־יְהוָה֙). This implies not merely any song, but one divinely inspired, directed towards the praise of God, or prescribed in sacred tradition. It indicates the sacred and spiritual nature of the music.
- began also: The synchronicity (Hebrew: hachel l'yad, הֵחֵל֙) with the burnt offering is paramount. The worship (music) was not an independent act but flowed directly from the atonement, indicating that true praise is rooted in the provision for sin.
- with the trumpets: (Hebrew: chatsotzerot, חֲצֹצְרוֹת֙) Long, straight silver trumpets, used by the priests (Num 10:2-10). They were used for signaling, summoning, and most importantly, in religious ceremonies to mark key moments and praise. Their sound amplified the declaration of worship.
- and with the instruments ordained: (Hebrew: u'vichley shirat David melech Yisra'el, וּבִכְלֵ֨י שִׁיר־דָּוִ֜יד מֶ֣לֶךְ יִשְׂרָאֵֽל׃) Lit. "and with the instruments of song of David king of Israel." This phrase points to a specific order and selection of musical instruments (such as harps, lyres, cymbals) which were organized and likely designed for use in Temple worship under King David's guidance (1 Chr 23:5; 25:1-6), highlighting the continuation of a godly legacy in worship.
- by David king of Israel: Emphasizes that this order of worship was not arbitrary or novel, but derived from the divinely inspired arrangements of King David, Israel's foundational king in matters of worship organization. This connects Hezekiah's reform directly to the golden age of Israel's faith.
2 Chronicles 29 27 Bonus Section
- The synchronized beginning of the sacrifice and the song demonstrates a holistic approach to worship, where atonement is immediately followed by exultation. It teaches that access to God and the capacity to praise Him are predicated on dealing with sin.
- The emphasis on "ordained by David" implies not only continuity but also adherence to an authoritative, Spirit-led model of worship. David, a "man after God's own heart," received divine inspiration for these musical arrangements.
- This act serves as a prefigurement of the New Covenant reality where the "one sacrifice of Christ" (Heb 10:10) provides eternal atonement, empowering believers to continually offer a "sacrifice of praise" (Heb 13:15) through Jesus. The 'song of the LORD' is now fueled by the completed work of Christ.
- The use of specific instruments, particularly trumpets for priests and other instruments for Levites, reflects the detailed and hierarchical nature of Temple worship, where each group had a designated role in ministering before the LORD.
2 Chronicles 29 27 Commentary
2 Chronicles 29:27 beautifully encapsulates the essence of a revived relationship with God: the simultaneous acts of atonement and worship. Hezekiah, through his authoritative "command," re-established the vital Mosaic practice of offering burnt sacrifices. This was not mere ritual; it was a deeply symbolic act of seeking God's forgiveness and demonstrating total dedication, especially critical after years of national apostasy. Crucially, the verse stresses the synchronicity: "when the burnt offering began, the song of the LORD began also." This means that genuine praise and worship (the "song of the LORD" with instruments) is not detached from, but inextricably linked to, the purification and atonement provided by sacrifice. In the Old Covenant, it taught that approaching a holy God in worship requires prior cleansing.
The inclusion of "trumpets" adds a dimension of priestly proclamation and fanfare, signaling divine presence and power, while "the instruments ordained by David king of Israel" underscores adherence to Spirit-inspired, structured, and intentional musical praise. David had meticulously organized the Levitical musicians for Temple service (1 Chron 23, 25), indicating that worship, though spontaneous in spirit, was also orderly and expertly executed according to God-given patterns. This verse thus champions an integrated worship experience where sin is addressed through sacrifice, and joy and gratitude overflow into organized, God-directed musical praise, restoring proper covenant relationship.