1 Chronicles 25:24 kjv
The seventeenth to Joshbekashah, he, his sons, and his brethren, were twelve:
1 Chronicles 25:24 nkjv
the seventeenth for Joshbekashah, his sons and his brethren, twelve;
1 Chronicles 25:24 niv
the seventeenth to Joshbekashah, his sons and relatives ? 12
1 Chronicles 25:24 esv
to the seventeenth, to Joshbekashah, his sons and his brothers, twelve;
1 Chronicles 25:24 nlt
The seventeenth lot fell to Joshbekashah and twelve of his sons and relatives.
1 Chronicles 25 24 Cross References
Verse | Text | Reference |
---|---|---|
Organization of Temple Service | ||
1 Chron 24:1-5 | ...David organized them according to their appointed duties... | Organization of priestly divisions by lot |
1 Chron 25:1-7 | David and the commanders of the army set apart for the service... | Overall organization of temple musicians |
1 Chron 23:4-5 | Of these, twenty-four thousand were to oversee the work... | Levites' general duties, including music |
1 Chron 28:13 | ...for the divisions of the priests and of the Levites, for all the work... | David's instructions for Temple order |
2 Chron 8:14 | He appointed the priests to their divisions...according to the ordinance... | Solomon upheld David's temple order |
Neh 12:44-47 | ...certain men were appointed over the storerooms for the contributions... | Support for temple musicians and servants |
Ezra 3:10-11 | When the builders laid the foundation of the temple of the Lord, the priests... | Singers praised God at Temple foundation |
Exod 38:21 | These are the records of the tabernacle, the tabernacle of the covenant law.. | Early Israelite records of Levite service |
Num 1:50 | but appoint the Levites over the tabernacle of the covenant law... | Levites specifically designated for service |
Num 4:1-49 | The Lord spoke to Moses and Aaron, "Take a census of the Kohathite clan..." | Detailed Levite duties and assignments |
Role of Music/Singers in Worship | ||
Psa 68:25 | The singers went ahead, the musicians followed; among them were young women... | Singers leading worship processions |
Psa 150:1-6 | Praise the Lord...Praise him with the sounding of the trumpet... | Calls for praise using musical instruments |
Col 3:16 | Let the message of Christ dwell among you richly...sing psalms, hymns... | Instruction for worship through music |
Eph 5:19 | speaking to one another with psalms, hymns, and songs from the Spirit... | Encourages communal spiritual singing |
Heb 13:15 | Through Jesus, therefore, let us continually offer to God a sacrifice of praise... | Praise as a continual sacrifice to God |
1 Sam 10:5 | ...you will meet a procession of prophets coming down...with harps... | Prophets with musical accompaniment |
1 Sam 19:20 | ...when they saw the company of prophets prophesying... | Music linked to prophetic ministry |
Divine Order in Worship & Service | ||
Rom 12:6-8 | We have different gifts, according to the grace given to each of us... | Emphasizes diverse gifts for service, order |
1 Cor 14:33 | For God is not a God of disorder but of peace—as in all the congregations... | God desires order in worship and assembly |
1 Cor 14:40 | But everything should be done in a fitting and orderly way. | General principle of order in Christian conduct |
Deut 17:10 | ...you must be careful to do everything they instruct you. | Emphasizes obedience to established religious authority |
Heavenly Worship (Echoes) | ||
Rev 4:8-11 | Day and night they never stop saying: "Holy, holy, holy is the Lord God... | Heavenly beings engaging in continuous praise |
Rev 5:8-10 | And when he had taken it, the four living creatures and the twenty-four elders... | New song sung in heavenly worship |
Rev 7:9-12 | After this I looked, and there before me was a great multitude that no one could count... | Countless multitude praising God in heaven |
Rev 15:2-4 | and they sang the song of God’s servant Moses and the song of the Lamb... | Redeemed singing praises to God |
1 Chronicles 25 verses
1 Chronicles 25 24 Meaning
1 Chronicles 25:24 details the assignment of the twenty-fifth lot among the Levitical musicians' courses established by King David. This specific division was assigned to Romamti-Ezer, along with his sons and his brothers, totaling twelve individuals. This verse underscores the precise, organized, and family-based structure designed for continuous worship and musical praise within the future Temple.
1 Chronicles 25 24 Context
1 Chronicles chapter 25 details King David's organized plan for the Levitical musicians who would serve in the Temple, establishing a formal, continuous system of musical praise. This arrangement was part of David's broader preparation for the construction and administration of the Temple, even though his son Solomon would ultimately oversee its building. The chapter highlights the specific roles, the heads of the musical courses (from Asaph, Heman, and Jeduthun), and the method of their assignment through lots. This was not a casual arrangement but a divinely inspired, meticulous system to ensure constant, skilled musical accompaniment to temple sacrifices and prayers, affirming the centrality of worship in the kingdom. Verse 24, specifically, is one entry in a list of 24 such courses (though this is the 25th in sequence by lot number), each composed of twelve trained members, indicating a highly structured and dedicated ministry.
1 Chronicles 25 24 Word Analysis
- the twenty-fifth (וְהָעֶשְׂרִים וַחֲמִשָּׁה – v'ha'esrim vachamishah): This phrase indicates the specific numerical order determined by lot. The system of drawing lots for assigning duties was a common practice in ancient Israel (cf. 1 Chron 24:5, 1 Chron 26:13-14), signifying divine guidance and impartiality in the distribution of responsibilities. It underlines a highly ordered, not arbitrary, method of selecting groups for their turn of service.
- to Romamti-Ezer (לְרוֹמַמְתִּי עֵזֶר – l'romamti ezer): This is the name of the head of the twenty-fifth course. The name "Romamti-Ezer" is Hebrew and means "I have exalted help" or "My help is exalted." Names in the Bible often carry significant meaning. Here, the name itself can be seen as a declaration of reliance on God, whose help is exalted. It is a subtle but powerful reminder to those serving and to the community that even the ability to lead worship and serve is divinely given and supported.
- his sons (בָּנָיו – banayv): Refers to the direct male descendants of Romamti-Ezer. The inclusion of sons indicates the hereditary nature of this Levitical service, where specialized skills and spiritual understanding were passed down through generations within the same family lines. This ensured continuity and trained personnel for the ongoing service in the Temple.
- and his brothers (וְאֶחָיו – v'echayv): Refers to other close male relatives, likely cousins or other kinsmen within the extended family unit or clan of Romamti-Ezer. This highlights the collective, communal responsibility for the sacred task of worship. It indicates a broader familial participation beyond just immediate offspring, consolidating the work unit.
- twelve (שְׁנֵים עָשָׂר – sh'neim asar): This number specifies the size of each musical course. The number twelve is symbolically significant throughout Scripture, often representing completeness, governmental order, and divine establishment (e.g., twelve tribes of Israel, twelve apostles). In this context, it signifies that each course was a complete, functional unit, fully equipped to perform its designated duties in an organized and efficient manner.
Words-Group Analysis:
- "the twenty-fifth to Romamti-Ezer, his sons and his brothers": This entire phrase details the outcome of a specific lot. It encapsulates David's strategic foresight and God's sovereignty in orchestrating the precise leadership and familial composition for a unit of temple worship. It illustrates that spiritual ministry was meticulously planned, not haphazard, and that it involved familial dedication.
- "his sons and his brothers, twelve": This clarifies the composition and exact number of the service unit. It underscores the practical organization: each course was self-sufficient, comprised of trained Levites from specific family lines, ensuring a structured and capable workforce for the daily, continuous requirements of temple worship. This precision points to God's love for order and excellence in His service.
1 Chronicles 25 24 Bonus Section
- David's blueprint for worship: The extensive details concerning the organization of priests, Levites, gatekeepers, and especially the musicians, reveal David's deep commitment not just to building the physical Temple but to establishing its spiritual function. This reflects a comprehensive "blueprint" for future worship, initiated before the Temple's construction even began.
- The continuity of service: The generational involvement ("sons and brothers") in these courses points to a long-term vision for sacred service, fostering deep-rooted traditions and specialized knowledge necessary for such complex liturgical roles. It emphasizes the importance of mentorship and the passing down of spiritual legacies.
- Beyond functionality: While functional, the names and numbers within these lists are more than mere statistics. They attest to God's attention to detail and His desire for beauty and order in His worship. Each individual, named or unnamed within a course, played a vital role in glorifying God, elevating the musical ministry to a consecrated, honorable calling.
1 Chronicles 25 24 Commentary
1 Chronicles 25:24 is a single line embedded within a detailed administrative list, yet it profoundly reflects God's character and David's spiritual foresight. The meticulous organization of the Levitical musicians for Temple service highlights the divine value placed on orderly, dedicated, and skilled worship. David did not leave worship to chance or spontaneity alone; inspired by God, he instituted a systematic approach to ensure continuous, professional praise. The assignment "by lot" underscores a recognition of divine leading in these appointments, signifying God's direct involvement in establishing the Temple's liturgical framework. The mention of "Romamti-Ezer," whose name points to God as the exalted help, reminds us that the capacity for meaningful service and worship ultimately comes from Him. The emphasis on "his sons and his brothers" signifies the familial and hereditary nature of Levitical service, promoting continuity of knowledge, skill, and dedication across generations within the consecrated tribal lines. Each "twelve"-member course demonstrates a standard unit size, symbolizing completeness and efficiency, ensuring that every facet of the Temple's musical needs was adequately covered. This verse, therefore, quietly but powerfully asserts that true worship, while heartfelt, also requires discipline, structure, and corporate commitment, reflecting God's nature as a God of order and peace (1 Cor 14:33).