1 Chronicles 25 19

1 Chronicles 25:19 kjv

The twelfth to Hashabiah, he, his sons, and his brethren, were twelve:

1 Chronicles 25:19 nkjv

the twelfth for Hashabiah, his sons and his brethren, twelve;

1 Chronicles 25:19 niv

the twelfth to Hashabiah, his sons and relatives ? 12

1 Chronicles 25:19 esv

the twelfth to Hashabiah, his sons and his brothers, twelve;

1 Chronicles 25:19 nlt

The twelfth lot fell to Hashabiah and twelve of his sons and relatives.

1 Chronicles 25 19 Cross References

VerseTextReference
1 Chron 23:5...four thousand praised the Lord with the instruments which I made for giving praise.Levites praised God with music.
1 Chron 24:3-4...divided them by courses according to their offices. There were more leading men found of the sons of Eleazar...Division of priestly courses.
1 Chron 25:1David and the commanders of the army set apart for the service some of the sons of Asaph, and of Heman, and of Jeduthun, who were to prophesy with lyres, with harps, and with cymbals...Organisation of temple musicians.
1 Chron 25:8They cast lots for their duties, all alike, the small as well as the great, the teacher as well as the pupil.Impartial appointment for service.
1 Chron 28:13For the courses of the priests and the Levites, and for all the work of the service...Established courses for temple service.
2 Chron 5:12...all the Levitical singers, Asaph, Heman, and Jeduthun, and their sons and brothers, arrayed in fine linen, with cymbals, harps, and lyres...Priests and Levites in worship.
2 Chron 29:26The Levites stood with the instruments of David, and the priests with the trumpets.Use of instruments in temple worship.
Ezra 6:18And they appointed the priests to their divisions and the Levites to their courses, for the service of God at Jerusalem...Re-establishment of temple service after exile.
Neh 12:47And all Israel in the days of Zerubbabel and in the days of Nehemiah gave the portions for the singers and the gatekeepers, every day's portion...Support for temple workers.
Gen 49:28All these are the twelve tribes of Israel...The symbolic number twelve.
Rev 21:14And the wall of the city had twelve foundations, and on them were the twelve names of the twelve apostles of the Lamb.Twelve representing divine order/foundations.
Exod 28:21There shall be twelve stones, with their names according to the names of the sons of Israel...Twelve stones on priestly breastplate.
Num 7:84This was the dedication offering of the altar in the day when it was anointed, from the chiefs of Israel, twelve plates of silver...Twelve for complete offering.
Luke 6:13And when it was day, he called his disciples and chose from them twelve, whom he named apostles...Jesus chooses twelve disciples.
Psa 96:6Splendor and majesty are before him; strength and beauty are in his sanctuary.Majesty of God's dwelling place.
Psa 150:3-5Praise him with trumpet sound; praise him with lute and harp!... Praise him with cymbals...Call to musical worship.
Eph 4:11-12And he gave the apostles, the prophets, the evangelists, the shepherds and teachers, to equip the saints for the work of ministry...Equipping for ministry in the New Testament.
1 Cor 14:33For God is not a God of confusion but of peace, as in all the churches of the saints.Order in worship.
Rom 12:4-5For as in one body we have many members, and all the members do not have the same function, so we, though many, are one body in Christ...Diverse functions in the body of Christ.
Heb 13:15Through him then let us continually offer up a sacrifice of praise to God, that is, the fruit of lips that acknowledge his name.Continuous sacrifice of praise.
1 Pet 2:9But you are a chosen race, a royal priesthood, a holy nation, a people for his own possession, that you may proclaim the excellencies of him who called you...Believers as a royal priesthood, for praise.

1 Chronicles 25 verses

1 Chronicles 25 19 Meaning

This verse details the specific designation of the twelfth division of Levitical musicians for temple service, headed by Hashabiah. It signifies a precisely organized rotation for the worship of God, ensuring continuous musical ministration in the tabernacle, and later the temple, under David's foresight. Each division, comprising Hashabiah, his sons, and his brothers, was composed of twelve individuals, highlighting an ordered and comprehensive structure for dedicated service.

1 Chronicles 25 19 Context

1 Chronicles 25:19 is situated within David's meticulous organization of temple service, even before its construction. Chapters 23-26 detail the arrangements for the Levitical priests, gatekeepers, treasurers, and particularly in chapter 25, the musicians. David, through divine instruction and revelation, structured the thousands of Levites into twenty-four courses or divisions. This particular verse, 1 Chronicles 25:19, is part of a list (1 Chron 25:9-31) enumerating each of these twenty-four divisions, specifying their head, the number of his direct lineage, and their numerical order by lot. This extensive and detailed planning underscores David's dedication to proper worship and preparation for Solomon’s future temple. The Chronicles itself, written likely post-exile, emphasized the importance of the temple, its established worship, and the enduring Davidic covenant to encourage the returning exiles and remind them of God's faithfulness and their identity as a worshipping people.

1 Chronicles 25 19 Word analysis

  • The twelfth (שְׁנֵי עָשָׂר – sh'nēy 'āsār): This simply denotes the numerical order within the twenty-four courses established for the musicians. The specific number highlights the meticulous and comprehensive nature of the organization. Each course would serve in rotation.
  • to Hashabiah (לַחֲשַׁבְיָה – laḥashabiah): Hashabiah means "The Lord has regarded" or "Jehovah is accounted." This name appears frequently in Chronicles, often for Levites and chiefs, suggesting prominence in service. The assignment of specific families under a named leader ensured clear responsibility and continuity within each musical division.
  • his sons and his brothers (בָּנָיו וְאֶחָיו – bānāw w'eḥāw): This phrase emphasizes the familial nature of these divisions. Service was often inherited and shared within families. This structure facilitated the training of successive generations in musical and worship practices, preserving tradition and expertise. It implies a collective responsibility rather than individual service.
  • twelve (שְׁנֵי עָשָׂר – sh'nēy 'āsār): This number reiterates the total members of this specific course: Hashabiah plus his sons and brothers sum up to twelve. The consistent use of "twelve" for each course (totaling 24x12 = 288, and also noting 4000 total Levites in 1 Chron 23:5 with instruments) signifies a divine pattern or completeness in God's order. The number twelve in the Bible often represents divine completeness (e.g., 12 tribes of Israel, 12 apostles, 12 foundation stones in Revelation), suggesting that the structure of worship reflects God's perfect design.

1 Chronicles 25 19 Bonus section

The extensive organization of the Levites and their various duties, particularly the musicians as seen in 1 Chronicles 25, was not merely a human endeavor. It reflects David’s receiving of "the pattern of all that he had by the Spirit" (1 Chron 28:12) for the temple and its services. This divine inspiration extended to the very arrangement of worship roles. The twenty-four courses for musicians and priests find a fascinating parallel in the New Testament, specifically Revelation 4:4, which speaks of twenty-four elders around the throne of God. While not a direct fulfillment, many scholars see this as a symbolic representation of the complete worship offered to God, hinting that the earthly temple's structured worship reflected a heavenly reality. The enduring nature of these divisions is also seen in post-exilic accounts, affirming the perpetual importance of orderly service to God even centuries later.

1 Chronicles 25 19 Commentary

1 Chronicles 25:19 exemplifies David's divinely inspired commitment to establishing orderly and perpetual worship. This verse, detailing the twelfth course of temple musicians led by Hashabiah, reveals the careful blueprint for continuous adoration in God's presence. It highlights that worship, particularly musical ministry, was not to be arbitrary but structured, generational, and fully staffed by dedicated individuals from Levitical lineage. The familial involvement ensured knowledge and skill were passed down, reflecting a deeply ingrained cultural and spiritual practice. This systematic organization for worship, even prior to the temple's construction, teaches that reverence and order are foundational to approaching a holy God. It signifies a profound emphasis on the importance of praise as an integral part of Israel's national and spiritual identity.