1 Chronicles 25:17 kjv
The tenth to Shimei, he, his sons, and his brethren, were twelve:
1 Chronicles 25:17 nkjv
the tenth for Shimei, his sons and his brethren, twelve;
1 Chronicles 25:17 niv
the tenth to Shimei, his sons and relatives ? 12
1 Chronicles 25:17 esv
the tenth to Shimei, his sons and his brothers, twelve;
1 Chronicles 25:17 nlt
The tenth lot fell to Shimei and twelve of his sons and relatives.
1 Chronicles 25 17 Cross References
| Verse | Text | Reference |
|---|---|---|
| 1 Chr 6:31-32 | These are the men whom David appointed... to minister with music... | David's appointment of temple musicians |
| 1 Chr 9:33 | And these are the singers, the heads of fathers’ households of the Levites, who lived in the chambers of the temple... | Singers active in temple life |
| 1 Chr 23:3-5 | The Levites were counted... forty years old and upward... to oversee the work... four thousand were gatekeepers, and four thousand praised the LORD with the instruments... | Levitical divisions for service |
| 1 Chr 24:3 | David and Zadok and Ahimelech divided them into divisions for their service. | Dividing priestly duties by lot |
| 1 Chr 25:1 | David and the commanders of the army set apart for service some of the sons of Asaph, Heman, and Jeduthun, who prophesied with lyres, harps, and cymbals. | Setting apart musicians |
| 1 Chr 25:8 | And they cast lots for their duties, all alike, the small as well as the great, the teacher as well as the pupil. | Divisions chosen by lot |
| 1 Chr 26:12 | These divisions of the gatekeepers... for service in the house of the LORD. | Organized temple service extends to all roles |
| 2 Chr 5:12-14 | All the Levitical singers... in fine linen, with cymbals, harps, and lyres... making one sound to praise and thank the LORD. | Musicians' role at Temple dedication |
| Neh 12:45-46 | And they performed the service of their God and the service of purification... For in the days of David and Asaph of old there were chiefs of the singers. | Continuity of David's musical order |
| Psa 150:3-5 | Praise him with trumpet sound; praise him with lute and harp! Praise him with tambourine and dance; praise him with strings and pipe! Praise him with sounding cymbals; praise him with loud clashing cymbals! | Call to worship with music |
| 1 Cor 14:33 | For God is not a God of confusion but of peace, as in all the churches of the saints. | God is a God of order |
| Eph 4:11-12 | And he gave the apostles, the prophets, the evangelists, the shepherds and teachers, to equip the saints for the work of ministry, for building up the body of Christ, | Diverse spiritual gifts and church structure |
| Col 3:16 | Let the word of Christ dwell in you richly, teaching and admonishing one another in all wisdom, singing psalms and hymns and spiritual songs, with thankfulness in your hearts to God. | Corporate worship includes music |
| 1 Pet 4:10 | As each has received a gift, use it to serve one another, as good stewards of God’s varied grace: | Diverse gifts used for service |
| Prov 16:33 | The lot is cast into the lap, but its every decision is from the LORD. | Divine guidance in casting lots |
| Num 4:47-49 | From thirty years old up to fifty years old, everyone who could perform the service of ministry... | Early Levitical service ages defined |
| 1 Kgs 6:7 | No hammer or axe or any tool of iron was heard in the temple while it was being built. | Orderliness in Temple construction mirrors service |
| Exod 38:21 | This is the tally of the tabernacle, the tabernacle of the testimony... by the hand of Ithamar, the son of Aaron the priest. | Detailed inventory and organization in tabernacle |
| Heb 8:5 | They serve a copy and shadow of the heavenly things. | Earthly worship mirroring heavenly order |
| Rev 5:8-9 | When he took the scroll, the four living creatures and the twenty-four elders fell down before the Lamb, each holding a harp... and they sang a new song. | Heavenly worship involves harps and song |
1 Chronicles 25 verses
1 Chronicles 25 17 Meaning
This verse precisely identifies the seventeenth division of temple musicians established by King David. It names Joshbekashah as the head of this specific course, clarifying that this division comprised a total of twelve individuals: Joshbekashah himself, his sons, and his brothers (kinsmen or fellow musicians within his family group). The meticulous detailing of these 24 divisions by lot underscores the divinely orchestrated order and preparedness for continuous worship in the future Temple.
1 Chronicles 25 17 Context
1 Chronicles 25:17 is part of a detailed account in 1 Chronicles chapter 25, which meticulously records King David's establishment of the divisions of temple musicians. After arranging the priesthood (chapter 24) and the gatekeepers and treasurers (chapter 26), David focuses on those who were to lead worship through music. The entire chapter lists 24 groups, each headed by a prominent musician from the families of Asaph, Heman, and Jeduthun. These divisions were determined by lot, signifying divine ordination, ensuring impartiality and illustrating that every role, no matter how specific, was part of God's appointed order for Temple service. The mention of "twelve" individuals per group ensured sufficient manpower for continuous daily worship. This systematic organization underscores David's dedication to structured, reverent worship in anticipation of the building of the First Temple by his son, Solomon, preparing for an ongoing and extensive ministry of praise and intercession.
1 Chronicles 25 17 Word analysis
- the seventeenth (הַשְּׁבִיעִית עָשָׂר - hash'vi'it 'asar):
- Word Level: This precise ordinal number, 17th, indicates meticulous organizational detail. In the context of the 24 divisions chosen by lot (1 Chr 25:8-31), it highlights the highly structured and methodical nature of David's arrangements for temple service.
- Significance: It emphasizes divine order and pre-planning, showing that even seemingly small administrative details were deemed important enough to be recorded in scripture, reflecting God's nature as a God of order rather than chaos (1 Cor 14:33). It speaks to the comprehensive nature of the preparations for temple worship.
- to Joshbekashah (לְיָשְׁבְקָשָׁה - l'yashbeqasha):
- Word Level: A unique Hebrew name, a descendant of Heman, one of the chief Levitical musicians. The name possibly means "he will dwell in a hard place" or "a seat of hardship," though its exact derivation or spiritual meaning for this specific individual is not elaborated in the text.
- Significance: The naming of specific individuals validates their role and importance in the overall divine plan. It roots the abstract organization in concrete human figures, making the service personal and tangible. Each name listed represented a head of a familial unit responsible for carrying out specific duties, linking their personal lineage to their sacred office.
- his sons (בָּנָיו - banav):
- Word Level: Refers to Joshbekashah's direct male descendants.
- Significance: This highlights the intergenerational nature of Levitical service. Ministry roles were often passed down through families, ensuring continuity of knowledge, skill, and commitment to temple duties. It reinforces the familial structure as the primary unit of organization within Israelite society and religious practice (Num 3:15).
- and his brothers (וְאֶחָיו - ve'ehav):
- Word Level: Refers to kinsmen or relatives within the broader family clan, often indicating those who were of the same extended family or brotherhood of musicians.
- Significance: This further expands the family unit, showing that the division consisted not just of immediate progeny but also other male relatives within the clan who were part of this service group. It points to a communal and collaborative effort within each course, drawing from a broader pool of Levites to fulfill the specific roles of worship. This also ensures sufficient personnel to maintain the 24/7 nature of worship service, as these brothers would assist in the various tasks of the course.
- twelve (שְׁנֵי עָשָׂר - sheney 'asar):
- Word Level: The specific number for each division. It comprises the head (Joshbekashah), his sons, and his brothers, totaling 12.
- Significance: This number signifies completeness and administrative uniformity across all 24 courses. Each division having twelve members (analogous to the twelve tribes of Israel or the twelve apostles of Jesus) indicates a complete, self-sufficient unit ready for its appointed time of service in the temple. This precise numerical organization guaranteed adequate skilled personnel for the extensive and continuous praise and musical worship (1 Chr 23:5, 1 Chr 25:7).
1 Chronicles 25 17 Bonus section
The systematic organization of the Levitical musicians into 24 courses, each serving for a specific period, ensured that there was continuous musical praise in the future Temple. This foresight by David provided a permanent infrastructure for corporate worship, ensuring that Israel's service of praise would endure through generations. The practice of casting lots, as seen here, was a common method in ancient Israel for discerning God's will and making impartial decisions (e.g., in dividing land or selecting individuals for service, Josh 14, Acts 1:26). The detailed nature of these lists in Chronicles often serves as an apologetic purpose, proving the legitimate lineage and authority of those serving in post-exilic temple contexts, assuring a proper re-establishment of the temple services according to ancient Davidic order. This verse, therefore, implicitly emphasizes faithfulness to traditions and the enduring validity of God's appointed ways for worship.
1 Chronicles 25 17 Commentary
1 Chronicles 25:17 offers a snapshot into the detailed and divinely-guided administrative setup for worship during David’s reign. Far from being a mere dry list, this verse encapsulates David's profound commitment to establishing an orderly and perpetual system of praise before God. By designating the "seventeenth" lot to Joshbekashah and his "twelve" kin, the text emphasizes precision and foresight. Every division was meticulously counted and assigned through a method (lot-casting) that the ancients believed revealed God's will (Prov 16:33). This rigorous organization ensured not only efficiency but also continuity and spiritual richness in the temple service. It shows that God delights in order and intentionality in worship, and that every servant, from the high priest to the least-known musician, had an essential and divinely appointed role.