1 Chronicles 15:19 kjv
So the singers, Heman, Asaph, and Ethan, were appointed to sound with cymbals of brass;
1 Chronicles 15:19 nkjv
the singers, Heman, Asaph, and Ethan, were to sound the cymbals of bronze;
1 Chronicles 15:19 niv
The musicians Heman, Asaph and Ethan were to sound the bronze cymbals;
1 Chronicles 15:19 esv
The singers, Heman, Asaph, and Ethan, were to sound bronze cymbals;
1 Chronicles 15:19 nlt
The musicians Heman, Asaph, and Ethan were chosen to sound the bronze cymbals.
1 Chronicles 15 19 Cross References
Verse | Text | Reference (Short Note) |
---|---|---|
1 Chr 6:31-48 | ...David set over the service of song...Heman...Asaph...Ethan | Appointment of Heman, Asaph, Ethan |
1 Chr 15:16 | ...David spoke to the chiefs of the Levites to appoint their brothers the singers...to raise sounds of joy | David's general command for musicians |
1 Chr 15:24 | ...Shebaniah...Berekiah...Caleb...Eliah...these priests blew trumpets... | Other instruments during the procession |
1 Chr 16:4-6 | He appointed some of the Levites as ministers before the ark...Asaph was to sound with cymbals... | Asaph's ongoing role with cymbals |
1 Chr 23:5 | ...4,000 praised the LORD with the instruments that I made for praise. | David's provision for musicians |
1 Chr 25:1-7 | David and the chiefs of the service separated for the service the sons of Asaph, Heman, and Jeduthun...for prophesying with lyres, harps, and cymbals. | Musicians as prophets, diverse instruments |
2 Chr 5:12-13 | ...the Levites, the singers, all of them, Asaph, Heman, and Jeduthun, with their sons...clothed in fine linen, with cymbals...making a combined sound. | Temple dedication; Cymbals prominent |
2 Chr 29:25 | He stationed the Levites in the house of the LORD with cymbals, harps, and lyres...according to the commandment of David... | David's lasting command for worship |
Psa 33:2 | Give thanks to the LORD with the lyre; make melody to him with the harp of ten strings! | General praise with instruments |
Psa 150:5 | Praise him with resounding cymbals; praise him with loud clashing cymbals! | Specific mention of praising with cymbals |
1 Cor 13:1 | If I speak in the tongues of men and of angels, but have not love, I am a noisy gong or a clanging cymbal. | Cymbal as a loud, resonant instrument |
Ex 38:1-8 | ...bronze...used for altar and laver in the Tabernacle. | Significance of bronze in sacred items |
Num 4:1-33 | ...The Kohathites...Gershonites...Merarites...shall be responsible for the tabernacle... | Duties of the Levites by family |
1 Kgs 4:31 | ...Ethan the Ezrahite, and Heman, and Calcol...were wiser than all other men... | Ethan and Heman renowned for wisdom |
2 Sam 6:12-15 | So David went and brought up the ark...with rejoicing... David danced before the LORD... | Joyful Ark procession (parallels 1 Chr 15) |
Ezra 3:10-11 | When the builders laid the foundation of the temple of the LORD, the priests stood in their apparel with trumpets, and the Levites, the sons of Asaph, with cymbals... | Post-exilic Temple foundation, continuation of roles |
Neh 7:44 | The singers: the sons of Asaph, 148. | Line of Asaph singers noted |
Isa 66:20 | ...they shall bring all your brothers from all the nations...to my holy mountain Jerusalem... | Future bringing people/gifts to God's presence |
Jer 33:10-11 | ...the voice of mirth and the voice of gladness, the voice of the bridegroom and the voice of the bride, the voices of those who sing as they bring thank offerings... | Voices of joy and thankfulness in worship |
Eph 5:19 | addressing one another in psalms and hymns and spiritual songs, singing and making melody to the Lord with your heart. | New Testament emphasis on spiritual singing |
1 Chronicles 15 verses
1 Chronicles 15 19 Meaning
This verse identifies Heman, Asaph, and Ethan, who were prominent Levitical musicians, as being specifically assigned the role of sounding bronze cymbals. This command was part of the highly organized and divinely ordained procession to bring the Ark of the Covenant to Jerusalem, marking a significant act of worship and the establishment of ordered sacred service under King David.
1 Chronicles 15 19 Context
1 Chronicles chapter 15 records King David's second and successful attempt to bring the Ark of the Covenant from the house of Obed-Edom to Jerusalem. This endeavor followed a tragic initial attempt in chapter 13, where Uzzah died for improperly touching the Ark. Learning from this, David meticulously organized the process according to divine law (1 Chr 15:13), ensuring the Levites carried the Ark as commanded by the Lord. The entire procession was accompanied by a vast array of Levitical musicians, demonstrating David's fervent desire to establish ordered and joyful worship centered on the Ark as God's presence among His people. This verse, therefore, highlights specific, leading musical figures and their precise instruments, underscoring the professionalism and structure David brought to sacred service.
1 Chronicles 15 19 Word analysis
Then the musicians: The Hebrew word here for "musicians" is לַמְשֹׁרְרִים (lam'shōrĕrîm), which refers specifically to "the singers" or "the song-leaders." In this context, they were highly skilled Levitical professionals appointed for sacred musical service, not merely general instrumentalists. Their designation signifies a specialized and divinely sanctioned role in worship.
Heman: (הֵימָן, Heyman) A Kohathite Levite, appointed by King David as a chief musician. He is described as a "seer" and had fourteen sons who were also musicians (1 Chr 25:5). His position underscores the blend of musical artistry and spiritual authority in leadership within Levitical service. He often represents the Kohathite branch of Levites.
Asaph: (אָסָף, Asaph) A Gershonite Levite, also appointed by David as a principal musician. His lineage and his group of musicians became very prominent, with many Psalms attributed to "the sons of Asaph" (e.g., Psalm 73-83). He symbolizes the Gershonite branch.
and Ethan: (אֵיתָן, Ethān) A Merarite Levite, appointed as a chief musician, often mentioned alongside Heman and Asaph. In some contexts (e.g., 1 Chr 25:1), Jeduthun appears in his place, suggesting Jeduthun was his alternative name or the name of his family's leader. Ethan was renowned for his wisdom (1 Kgs 4:31). He represents the Merarite branch. The inclusion of Heman, Asaph, and Ethan together signifies the complete and representative leadership from the three main branches of the Levites (Kohath, Gershon, Merari), united in their service of sacred music.
were to sound: The Hebrew term is לְהַשְׁמִיעַ (l'hashmi'a), meaning "to make to hear," "to cause to sound forth," or "to make a sound." It implies an active, purposeful action, ensuring the sound was projected and clearly audible. This wasn't passive background noise, but a prominent feature of the procession.
cymbals: The Hebrew term is בִּמְצִלְתַּיִם (bim'tsil'ta'yim), referring to a pair of cymbals. These were percussion instruments designed for loud, resonant clashing sounds, often used to mark rhythms, call attention, or emphasize points in praise. They were not typically melodic but provided strong rhythmic punctuation for large musical ensembles, suitable for outdoor processions.
of bronze: The Hebrew word is נְחֹשֶׁת (nĕchosheth). Bronze was a significant metal in biblical times, known for its durability, resonance, and use in sacred vessels and implements of the Tabernacle and Temple (e.g., the bronze altar and laver in Exodus). Its use here signifies quality, permanence, and a connection to the consecrated materials dedicated to divine service. The material contributes to the sound's carrying power and majestic quality.
Words-group: "Heman, Asaph, and Ethan, were to sound cymbals of bronze.": This phrase designates specific, high-ranking Levitical musicians to a precise task. Their unified presence underscores the three Levitical divisions contributing to a harmonious and complete act of worship. The "sounding of bronze cymbals" emphasizes the energetic, resonant, and clear proclamation of praise and joy that accompanied the Ark, designed to be heard by all and to set the rhythm for the entire celebration. The bronze itself speaks to the sacredness and quality of the instruments dedicated to the Lord's service.
1 Chronicles 15 19 Bonus section
The Chronicler places significant emphasis on the lineage and duties of the Levites, meticulously detailing their roles in music, guardianship, and Temple service. This reflects the importance of maintaining proper order and continuity in divine worship across generations. The musical traditions established by David, including the roles of Heman, Asaph, and Ethan, continued for centuries, as evidenced by later biblical books like Ezra and Nehemiah, underscoring the enduring legacy of this well-ordered system of praise.
The cymbals, while seemingly simple instruments, played a vital role in ancient ensembles, similar to how modern percussion can define the energy and tempo of music. Their resonant quality would have amplified the celebration's joyous atmosphere, ensuring the entire community felt the excitement and solemnity of God's presence. Moreover, the choice of bronze, a sturdy and lasting material, hints at the enduring nature of true worship.
1 Chronicles 15 19 Commentary
1 Chronicles 15:19 presents a key detail in David's carefully orchestrated transfer of the Ark of the Covenant, underscoring his commitment to proper, divinely approved worship. By naming Heman, Asaph, and Ethan—the chief Levitical musicians representing the three major Levitical clans—the Chronicler emphasizes the structured, skilled, and hereditary nature of service to God. Their assigned role of sounding bronze cymbals, rather than a more melodic instrument, highlights the loud, rhythmic, and commanding nature of this specific form of praise during the grand procession. Cymbals served as crucial timekeepers, adding majesty and powerful expression to the music, essential for leading such a large and significant event. This precise organization reflected reverence for God and adherence to His established order, correcting the errors of the previous failed attempt. The verse also implicitly champions the value of dedicated and gifted individuals serving in specific capacities within the context of communal worship.
Practical examples of these principles include the intentional appointment of skilled worship leaders in churches today, the thoughtful selection of instruments that serve specific roles in enhancing praise, and the understanding that joyful worship often involves powerful and unified musical expression.