1 Chronicles 15 17

1 Chronicles 15:17 kjv

So the Levites appointed Heman the son of Joel; and of his brethren, Asaph the son of Berechiah; and of the sons of Merari their brethren, Ethan the son of Kushaiah;

1 Chronicles 15:17 nkjv

So the Levites appointed Heman the son of Joel; and of his brethren, Asaph the son of Berechiah; and of their brethren, the sons of Merari, Ethan the son of Kushaiah;

1 Chronicles 15:17 niv

So the Levites appointed Heman son of Joel; from his relatives, Asaph son of Berekiah; and from their relatives the Merarites, Ethan son of Kushaiah;

1 Chronicles 15:17 esv

So the Levites appointed Heman the son of Joel; and of his brothers Asaph the son of Berechiah; and of the sons of Merari, their brothers, Ethan the son of Kushaiah;

1 Chronicles 15:17 nlt

So the Levites appointed Heman son of Joel along with his fellow Levites: Asaph son of Berekiah, and Ethan son of Kushaiah from the clan of Merari.

1 Chronicles 15 17 Cross References

VerseTextReference
Num 1:50-51But thou shalt appoint the Levites over the tabernacle...Levites exclusively responsible for Tabernacle service.
Num 4:15Kohathites...shall come to bear it: but they shall not touch...Kohathites specifically assigned to carry Ark.
Deut 10:8The LORD separated the tribe of Levi...to bear the ark...Levites set apart to carry the Ark of God.
1 Chr 15:2None ought to carry the ark of God but the Levites...David's command for Levites to carry the Ark.
1 Chr 23:27-32Their office was to wait on the sons of Aaron for the service...General Levitical duties, including musical service.
1 Chr 25:1-7David and the captains...separated to the service...Heman, Asaph, and Jeduthun...Organisation of musicians into divisions.
1 Chr 16:4-6David appointed certain of the Levites to minister before the ark...Levites assigned for music and giving thanks.
2 Chr 5:12-14The Levites which were the singers...praised the LORD, saying...Levite musicians at the Temple dedication.
2 Chr 29:30Hezekiah the king, and the princes, commanded the Levites to sing praise unto the LORD...King Hezekiah mandates singing praises.
Ps 50: TitlesA Psalm of Asaph.Asaph, a chief musician and psalmist.
Ps 73-83: TitlesA Psalm of Asaph.Numerous Psalms attributed to Asaph.
Ps 88: TitlesA Song or Psalm... of Heman the Ezrahite.Heman's authorship of a psalm.
Ps 89: TitlesA Maschil of Ethan the Ezrahite.Ethan's authorship of a psalm.
Ezra 3:10-11They set the priests in their apparel...the Levites with cymbals...Levites leading praise at second Temple foundation.
Neh 12:45-47Both the singers and the porters kept the ward of their God...Singers' and gatekeepers' established duties.
Ex 25:10-22They shall make an ark of shittim wood...Divine command for the Ark's construction.
1 Sam 6:7-8Take a new cart, and two milch kine...Philistines' improper use of a cart for the Ark.
1 Chr 13:7-10Uzza put forth his hand to hold the ark...the anger of the LORD was kindled.First failed attempt to move the Ark; Uzzah's death.
2 Sam 6:12-15David went and brought up the ark of God...David's second, proper, attempt to move the Ark.
1 Pet 2:9Ye are a chosen generation, a royal priesthood...New Covenant believers as a spiritual priesthood.
Heb 13:15Let us offer the sacrifice of praise to God continually...New Testament emphasis on praise as an offering.
Col 3:16Teaching and admonishing one another in psalms and hymns...Encouragement for musical worship in the New Testament church.
Eph 5:19Speaking to yourselves in psalms and hymns and spiritual songs...Spiritual singing and worship among believers.
Rom 12:1Present your bodies a living sacrifice, holy, acceptable unto God...Offering one's life as an act of spiritual worship.
Acts 6:3-6Look ye out among you seven men of honest report... whom we may appoint over this business.Early church leaders appointing those for service.

1 Chronicles 15 verses

1 Chronicles 15 17 Meaning

This verse records the meticulous and biblically prescribed appointment by the Levites of specific individuals—Heman, Asaph, and Ethan—to oversee and lead the musical elements accompanying the procession of the Ark of the Covenant to Jerusalem. These chosen men hailed from the primary Levitical families, namely Kohath, Gershon, and Merari, serving under the direct patronage of King David. Their selection signifies a deliberate return to divine protocol following a prior failed attempt to transport the Ark, underscoring the critical importance of adherence to God's instructions concerning sacred duties and establishing an organized form of worship music for Israel.

1 Chronicles 15 17 Context

1 Chronicles 15 details King David's decisive and corrected effort to transport the Ark of the Covenant to Jerusalem, housing it within a tent he had erected specifically for it. This chapter follows the tragic failure of the first attempt described in 1 Chronicles 13, where Uzzah's death starkly demonstrated the grave consequences of improper handling of sacred objects and disregard for divine ordinances, as prescribed in Numbers 4. Learning from this profound lesson, David diligently consulted with the Levites and priests, ensuring that, this time, the Ark would be carried according to Mosaic Law—on the shoulders of the Levites—rather than on an unauthorized ox cart. The appointment of these specific Levitical leaders—Heman, Asaph, and Ethan—was integral to this corrected approach. Their selection from the three major Levitical families (Kohath, Gershon, and Merari) symbolized a unified and disciplined undertaking in worship. This act not only highlights a return to scriptural adherence but also David's visionary leadership in organizing formal, spiritually guided musical worship to accompany the Ark. This meticulous arrangement foreshadowed and laid the foundation for the elaborate musical services later instituted in Solomon's Temple.

1 Chronicles 15 17 Word analysis

  • So the Levites appointed: The Hebrew וַיַּעֲמִידוּ (vayya'amiidhu), derived from the root עָמַד (amad), meaning "to stand, to set, to establish," signifies a deliberate, formal, and official installation into a position or duty. This action was crucial for re-establishing divine order after the prior chaotic and fatal handling of the Ark. It reflects David's newfound understanding that God's service demands specific adherence to His instructions, as laid out in the Law (Num 4:1-15; Deut 10:8), contrasting sharply with presumptuous human initiatives.

  • Heman: The name הֵימָן (Heiman) means "faithful, trusty," or "constant." He was a Kohathite Levite, specifically distinguished as "the king's seer in the words of God," and known for his extensive musical family (1 Chr 25:5). As one of the three principal choirmasters, Heman was instrumental in David's establishment of the organized and expansive system of Temple music, embodying both musical talent and profound spiritual insight.

  • the son of Joel: This paternal lineage identifies Heman as belonging to the Kohathite branch of the Levites, traditionally entrusted with the sacred duty of carrying the Ark itself (Num 4). Joel (יוֹאֵל, Yo'el), meaning "the LORD is God," points to his family's devotional heritage and a theological connection embedded in their very name.

  • and of his brethren, Asaph: Asaph (אָסָף, Asaph), meaning "gatherer" or "collector." A Gershonite Levite, Asaph was designated as a "brother" of Heman, highlighting unity among the appointed musical leaders despite their different Levitical lineages. Asaph notably became the ancestor of a celebrated line of psalmists and singers, with multiple Psalms (e.g., Ps 50, 73-83) specifically attributed to him, underscoring his prophetic and musical contributions to Israel's worship.

  • the son of Berechiah: Berechiah (בֶּרֶכְיָה, Berekhyah) translates to "the LORD blesses" or "blessed by the LORD." This lineage further solidifies Asaph's connection to the established Levitical lines, renowned for their spiritual and artistic service.

  • and of the sons of Merari their brethren, Ethan: Ethan (אֵיתָן, Eitan), signifying "enduring, perennial, strong, or steady." As a Merarite, his appointment ensured that all three major Levitical divisions (Kohathites, Gershonites, and Merarites) were represented in the sacred musical leadership. Ethan was another pivotal figure in Temple music, sometimes equated with Jeduthun, another key choirmaster (1 Chr 25:1). He is linked to Psalm 89 and recognized for his profound wisdom (1 Kgs 4:31), emphasizing the intellectual and spiritual depth required for leading sacred worship.

  • the son of Kushaiah: Kushaiah (קוּשָׁיָהוּ, Kushayahu), potentially meaning "Jehovah is my strength." This specific paternal identification firmly establishes Ethan's recognized lineage and legitimacy within the Merarite family, reinforcing his credentials for sacred service.

  • "the Levites appointed... Heman... Asaph... Ethan": This phrase underlines the structured selection of qualified and divinely-appointed individuals from the tribe of Levi. It marks a critical departure from past haphazard actions and a return to systematic, God-ordained service. This also indicates that their appointment was not a singular command from David but a consensual and hierarchical delegation "by the Levites" themselves, reflecting ordered leadership and collective commitment to sacred duty within God's chosen tribe.

  • "Heman the son of Joel... Asaph the son of Berechiah... Ethan the son of Kushaiah": The precise genealogical details provided for each chief musician underscore their legitimate claims to lead. By meticulously representing the three primary Levitical clans (Kohath, Gershon, Merari), their combined appointment ensured the holistic involvement and accountability of the entire Levitical body in the newly reformed worship practices. This emphasis on lineage also highlights the tradition, inherent responsibility, and established trust associated with families dedicated to generations of priestly and musical service.

1 Chronicles 15 17 Bonus section

  • The meticulous emphasis by the Chronicler on the lineage and precise roles of the Levites, especially singers and gatekeepers, found throughout 1 and 2 Chronicles, was particularly significant for the post-exilic community. It served as a powerful reminder of their historical identity, the sanctity of Temple worship, and the enduring importance of established sacred duties, linking them back to David's original and divinely inspired organization of worship.
  • Heman, Asaph, and Ethan (often associated with Jeduthun) were more than just musicians; they were considered "seers" or "prophets" whose musical compositions and leadership were infused with divine inspiration, not merely human skill (1 Chr 25:5; 2 Chr 29:30). Their musical ministries often carried prophetic weight and conveyed God's truths to the people.
  • The careful, precise naming and appointing of these Levites stand in stark contrast to the Philistines' handling of the Ark (1 Sam 6) and even Israel's initial, ill-fated attempt (1 Chr 13). This distinction highlights God's demand for holiness, reverence, and precise adherence to His revealed will when approaching His sacred presence and divine commands.
  • The establishment of these three individuals as chief musicians points to an early institutionalization of religious music in ancient Israel. This formal, organized approach to worship music went beyond spontaneous expressions, creating a structured system that would effectively facilitate communal worship and preserve theological doctrine through generations of psalms, hymns, and spiritual songs.

1 Chronicles 15 17 Commentary

1 Chronicles 15:17 serves as a powerful testament to King David's spiritual growth and renewed commitment to God-ordained worship. This verse details the intentional appointment of Heman, Asaph, and Ethan as the chief musicians to lead the solemn and joyous procession of the Ark of the Covenant to Jerusalem. Their selection, far from arbitrary, signified a precise adherence to divine instruction, notably after the prior disaster involving Uzzah. These three men, representing the three foundational Levitical families, symbolized the comprehensive involvement of the priestly tribe in God's service. Their pivotal role established structured, spiritually inspired music as an indispensable element of Israel's worship, laying the groundwork for the future elaborate Temple liturgy. This event underscores several timeless principles: the paramount importance of strict obedience to God's commands in all matters of worship, the necessity of qualified and divinely-anointed leadership to facilitate communal reverence, and the inherent power of music as a profound expression of devotion, praise, and gratitude to God.